Sunday, September 11, 2016

Blogpost #3: HELL-o? It's Me.


In the third canto of Dante Alighieri's Inferno, the narrator travels to the River Acheron, where he comes in contact with those who are neither welcome in hell or heaven. These souls have been condemned here because they "were not rebels nor faithful to their God" (23. 38-39). Because these people lived a life of cowardice in which they were too afraid to do good or evil, they are trapped in an eternal life of agonizing hopelessness. On page 23, lines 64-69, it says the people here were stung by horseflies and wasps as "insects streaked their faces with blood" where their tears were "gathered up by sickening worms". The feeling of being attacked by a swarm of insects represents how these people lived their lives encircled by fear. Insects are also thought to be small minded and lowly, which is a symbol of these people's decision to not decide. They lived their lives as insects buzzing around without direction and never giving thought to devote their actions toward good nor evil.

In the fourth canto, the narrator travels through the first ring of Hell, Limbo. Those who dwell here lived a sinless life, but died before Christianity existed, so their lack of faith keeps them from entering heaven. Throughout the canto, it is easy to tell that the narrator becomes lost at times due to the complete darkness that encloses the area. One instance of this is in the beginning of the canto in lines 10-12:

That valley, dark and deep and filled with mist,
is such that, though I gazed into its pit,
I was unable to discern a thing. 

At the end of the canto, the complete darkness is mentioned again in the closing line: "And I have reached a part where no thing gleams." Dante is intentional about mentioning the darkness in both the beginning and the end of this canto, because he wants the reader to understand that darkness characterizes Limbo. This darkness is representative of the people here being kept in the dark about faith during their lives. Because they lived before the time of Christianity, they are blind to faith which is what keeps them from reaching Heaven.

                As the narrator continues to venture through the stages of hell, more differences between the concept of hell in the 1300s and today’s concept of hell become apparent. When Dante wrote the Inferno, Christians believed hell was a strict multilayered structure. People believed that judgments were clear and one’s actions would easily determine one’s fate in the afterlife. Today Christian beliefs are much different. Nowadays it is most commonly believed that judgments are not always black and white. There are grey areas where things are not always clear. The modern Christian religion also puts more emphasis on God’s love and forgiveness. Rather than being condemned for sins, Christians believe that their faith will allow for forgiveness and acceptance through Christ. It is also believed by many Christians nowadays that hell may not even be a physical place, but rather an abstract concept that represents the evil found within the world. Because of all these changes in mindset and belief overtime, the Hell Dante describes to his readers is much different from the hell his readers may vision.

                Another key aspect of Dante’s picture of Hell is the importance of physical depth. Every time the narrator travels downward, Dante mentions an increase in more cries and moaning by the condemned spirits. The deeper into Hell the narrator ventures, the worse the crime they have been condemned for, the darker it gets, and the worse the punishment the souls there receive. This physical representation is key, because the farther down one goes, the more weight that is felt from above. With every layer, its residents feel more and more of a burden on their shoulders from all that is above them.

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